Archives

Force MDs

TOP SONGS

“Tender Love”

“Tears”

“Here I Go Again”

Biography:

Perhaps no group embodies the spirit of classic eighties Hip-Hop R and B soul more than the iconic and unstoppable Force MD’s. Anyone who has attended a Force MD’s show knows that from the first words of “Tender Love” “Here I lay all alone…” the whole crowd is instantly unified, swaying arm in arm, passionately singing the soundtrack of their lives. The first few bars of timeless classics like “Love is a House”, “Tears,” or countless other hits can transform any arena into a nostalgic soul celebration in seconds.

In addition to a surge of new tour dates, and widespread industry buzz about the forthcoming feature length documentary Force MD’s Relived, the group’s momentum has also been fueled by a slew of recent celebrity endorsements. These range from President Obama’s highly publicized acknowledgement that he keeps the Force MD’s in rotation on Air Force One, to the growing roster of entertainers who cover Force MD’s songs in their show (including Wiz Khalifa, Alicia Keys, Marcia Ambrosius, New Edition, and others). As a result, the group is experiencing a new chapter in a long history of success.

The group is most known for the overwhelming commercial success from the Jimmy Jam and Terry Lewis-penned classic “Tender Love.” The song proved to be a huge success, peaking at #10 in the Billboard Hot 100 chart, remaining there for 19 weeks, and helping Jam & Lewis garner a Grammy Award for Producer of the Year. Incredibly, the group would follow this success in 1987 with their first #1 R&B hit “Love is a House.” But the Force MD’s deep catalog of classic R and B/ Hip-Hop staples including “Tears,” “Here I go Again,” “Let me Love You,” and their continued release of new anthems for all occasions has allowed them to maintain a consistent presence at radio and in the hearts of their fans.

The Force MD’s live show takes fans beyond the groups original classics and dazzles them with an uplifting soulful tour of the best of the black music experience. With the captivating energy that took the group from the Staten Island Ferry to the top of the charts, the group rolls out spontaneous crowd pleasing renditions of songs from artists such as the Temptations, Four Tops, the Jackson Five, Al green and others.

When the Force MD’s fans listen to their music and attend their shows they frequently state that they feel like they are celebrating a story of resilience, and triumph over obstacles and tragedy. The group is a living testimony that empowers fans to face the challenges in their own lives. And the group knows challenges all too well. Tragedy struck the group three times with the passing of three of its members: Charles “Mercury” Nelson suffered a fatal heart attack in 1995; Antoine “T.C.D.” Lundy died of Lou Gehrig’s disease in 1998; and DJ Dr. Rock died under unknown circumstances. Nevertheless, the groups remaining members have transformed this tragedy into ongoing inspiration that they share generously with their audiences.

As the longest active member of the group, Stevie D is the dynamic thread that connects the group’s history, to its present and rapidly evolving future. As a powerful vocalist, pioneering freestyle artist, and electrifying dancer he exemplifies the blend of Hip-Hop and R and B that the group is known for originating. Khalil Lundy and TCD Lundy forged their vocal styles working closely together during their youth. Today Stevie D, Khalil, an their nephew Zieme (Zy-eem) continue to carry that legacy as the embodiment of the distinctive Force M.D.’s sound.

Read more

First Choice

TOP SONGS

“Let No Man Put Asunder”

“Doctor Love”

“Love Thang”

Biography:

R&B trio First Choice — Rochelle Fleming, Joyce Jones, and Annette Guest — were originally known as the Debonettes and performed around Philadelphia. Radio DJ Georgie Woods introduced the group to Philly soul guitarist/songwriter/producer Norman Harris, who produced First Choice’s debut single, “This Is the House Where Love Died,” which received airplay in Philly and other markets but failed to chart nationally. Their next single, the Harris-produced “Armed and Extremely Dangerous,” was their first big hit, going to number 11 R&B in early 1973 for Stan Watson’s Philly Groove label. It was also a Top 20 U.K. hit. The Armed and Extremely Dangerous album was released in fall 1973. On this set — as well as the bulk of their other releases — First Choice were backed by the tight rhythm section of guitarist Harris, bassist Ron Baker, and drummer Earl Young, who were part of MFSB, the house band for Gamble & Huff’s Philadelphia International Records. The next single, “The Player, Pt. 1,” was their highest-charting R&B single, hitting number seven R&B in summer 1974, though the group enjoyed many high-charting hits on Billboard’s disco charts. The Player, the group’s second album was issued in fall 1974 and reached number 36 on the R&B chart.

After they switched to Warner Bros., First Choice charted with “Gotta Get Away (From You Baby)” in spring 1976 and “Let Him Go” in fall 1976, and they released an LP, So Let Us Entertain You (number 53, R&B). Around 1977, Joyce Jones left the group and was replaced by Ursula Herring. The following year, Norman Harris formed Gold Mind Records, which was distributed by dance label pioneer Salsoul Records. First Choice signed with Gold Mind and their first release for the label, the ultra-catchy “Doctor Love,” went to number 23 R&B in summer 1977. Delusions followed that fall; generally regarded as the trio’s best LP, it featured lyrically rich dance tunes as well as luscious ballads and gave Philadelphia native Fleming her best showcase yet, displaying one of the most distinctive lead vocalists in soul/dance/pop music. Their next Gold Mind LP, Hold Your Horses, was released in March 1979, with the title track becoming a disco classic. That same year, Debbie Martin replaced Ursula Herring. Around 1983, Salsoul ceased operations to focus on the emerging home video market by starting their First Choice Video division, and the following year, the trio split. In 1987, Fleming re-formed a version of First Choice with her cousin Laconya Fleming and Lawrence Cottel, who recorded a single for Prelude Records, “Love Itch.” In the ’90s, Rochelle Fleming continued to record in the U.S. and Europe.

Artist Biography by Ed Hogan of www.allmusic.com

Read more

Allure

TOP SONGS

“All Cried Out”

“Head Over Heel”

“Last Chance”

BIOGRAPHY:

The New York-based urban soul vocal group Allure was the first band to be signed to Mariah Carey’s Crave Records. Such connections ensured that Allure would be promoted well, and that their eponymous 1997 debut would have cameos by such stars as Nas, L.L. Cool J, Raekwon, 112, Q-Tip, and Carey herself, but it didn’t ensure that the record itself would be a blockbuster. Instead, the album was a moderate hit, suggesting the group’s commercial potential instead of fulfilling it.

The roots of Allure lay in the early ’90s, when Alia Davis, Lalisha McLean, and Akissa Mendez were studying at the LaGuardia High School for the Performing Arts in New York. When the girls decided to form a full-fledged group, they recruited Davis’ friend Linnie Belcher, who was studying at the Julia Richmond High School. For the next two years, they rehearsed and practiced, eventually securing management connections which brought them to the attention of Poke, a member of the production team Track Masters. Poke worked with the unnamed group and soon signed them to Track Masters under the name Allure, and then helped the group sign with Crave Records.

Allure’s debut single, “Head Over Heels,” featured a rap by Nas and became a moderate R&B hit in April of 1997. The following month, the group’s eponymous debut album was released.

Artist Biography by Stephen Thomas Erlewine of www.allmusic.com

Read more

The Delfonics feat Wil Hart

TOP SONGS

“La, La, Means I Love You”

“Didn’t I Blow Your Mind”

“I Gave To You”

Biography:

Wilbert Hart is an American R&B singer and a pioneering co-founding member of the legendary Delfonics. Wilbert (aka, Wil) was instrumental in the development of the styling and branding of the Delfonics and what is widely known as “The Sound of Sexy Soul”. From the beginning of his career as a musician, Wilbert Hart wrote, produced, and co-produced songs for his group as well as other up-and-coming artists. Most notable was his hit song “Hey Love” with Delfonics and “Say You Love Me” with Norman Connors. Currently, Wilbert Hart owns his recording and production company “In the Game Entertainment” where he continues to produce music and groom up-and-coming artists. Wilbert Hart continues to write and produce music for R&B, Pop, and Hip Hop genres. Artists currently signed to In the Game Entertainment benefit from Wilbert Hart’s knowledge, experience, and wisdom from over 45 years of working in the music industry. Wilbert Hart is currently writing, producing, co-producing, recording, and grooming a Hip Hop Group called “Code Bleu”. He also writes, produces, and performs music for Wilbert Hart of the Original Delfonics. As a founding member of the Legendary Delfonics, Wilbert Hart helped the group remain a fixture on the Pop and R&B top ten as one of the lead singers on the Delfonics song “Didn’t I Blow Your Mind This Time”, which achieved the group it’s very first and only Grammy Award for best R&B performance in 1970. He was responsible for writing, co-writing, producing, arranging, and singing lead and background on every one of the Delfonics’ successful recordings and albums.

In 2012 Wil signed a publishing deal with Reservoir Media and has been working on new releases and product placements since that time. Recent placements for Wil Hart of the Original Delfonics music can be found in major movie productions, television commercials, and on many new artists recording both through samples and through remakes.

Artist Biography provided by www.reservoir-media.com

Read more

Blue Magic

TOP SONGS

“Spell”

“Sideshow”

“What’s Come Ove Me”

Biography:

Blue Magic is an American R&B soul vocal quintet formed in Philadelphia, Pennsylvania in 1972. Ted Mills, Keith Beaton, Richard Pratt, Vernon Sawyer and his brother Wendell would become best known for their hit songs, “Spell”, “Sideshow”, “Three Ring Circus” and “Start To Stop”. The early releases from their first album in 1973 were mainly confined to the R&B chart. Blue Magic’s first million-selling US Top 10 hit single Sideshow climbed to #8 and topped the R&B chart.

With over thirty years of performing with the group original member Vernon Sawyer is still traveling around the world with his current members electrifying Blue Magic fans in every venue and arena they perform at. Keeping true to the Blue Magic persona that identified the group visually back in the days, you’ll witness their precise choreographed movements, smooth mesmerizing vocals and of course their classic Blue Magic attire.

Read more

Black Ivory

TOP SONGS

“You & I”

“Don’t Turn Around”

“Mainline”

Biography:

Black Ivory is a Classic Soul / R&B vocal trio founded in Harlem, New York in 1969. Leroy Burgess, Stuart Bascombe and Russell Patterson were just teenagers when they were signed by Perception/Today Records and released their first hit single, “Don’t Turn Around”. This was soon followed by an album by the same name and a string of hit singles produced by the legendary Patrick Adams. These included “You and I” and “I’ll Find A Way (The Loneliest Man in Town). They continued to produce hits throughout the 70’s on Today Records, Kwanza Records and Buddha Records. The most popular of these were “Time Is Love”, “Spinning Around”, “What Goes Around (Comes Around), “Will We Ever Come Together” (written by Robert John and Michael Gately) and “Mainline” (mixed by Michael Gomes) which was destined to become a club cult classic. Most well known for a style of soul which features a male falsetto lead vocal, classic Black Ivory can be compared to artists such as The Delfonics, The Stylistics, Blue Magic, The Moments, The O’Jays, Earth, Wind and Fire and Prince. The group also engaged in a fair amount of musical genre-bending and were no strangers to funk and disco. One of the groups primary creative forces, Leroy Burgess left the group to forge his own legend as the voice and musical genius behind groups such as Convertion, Logg, and The Fantastic Aleems. He wrote the smash hit “Over Like A Fat Rat” for Fonda Rae and has come to be referred to as “the patron saint of Boogie”.Black Ivory’s recordings have been sampled by numerous hip hop artists including Raekwon, Q-Tip, Nas and 9th Wonder. Now, after close to thirty years, the original members have reunited on an album that reflects their growth as individuals and their refinement as songwriters, producers and recording artists. With a rich musical history behind them, Black Ivory steps into the future with Continuum.

Read more

Regina Belle

TOP SONGS

“Make It Like It Was”

“Baby Come To Me”

“A Whole New World”

Biography:

Regina Belle (born July 17, 1963) is an American singer-songwriter from Englewood, New Jersey. At a young age she began performing at Englewood’s Mount Calvary Baptist Church. She was introduced to the Manhattans by New York radio DJ Vaughn Harper and began working as their opening act. She recorded the 1986 duet, “Where Did We Go Wrong,” with the group which helped to attract the attention of Columbia Records. They eventually signed her to a record deal.

In 1987, she released her debut album, “All By Myself.” It included her first hits “So Many Tears” and “Show Me the Way.” Her follow-up album, “Stay with Me,” was then released in 1989.

Belle recorded a duet in 1991 with Johnny Mathis, “Better Together,” which appeared on his album “Better Together: The Duet Album.” Continuing her tradition of duets, Belle teamed up with Peabo Bryson for the songs “I Can’t Imagine,” “Without You” and “A Whole New World,” which was the featured pop single from the soundtrack to the 1992 Disney movie “Aladdin.” The song hit #1 on the Billboard Hot 100 Singles chart and won the Grammy Award in 1993 for Best Pop Performance by a Duo or Group with Vocal as well as the Academy Award for Best Song in later that year.

Also in 1993, Belle released her platinum selling third album, “Passion.” The album featured the Disney hit “A Whole New World,” “Dream In Color” and “If I Could, “which reached # 9 on the Billboard R&B chart. Belle released “Reachin’ Back” in 1995 followed by “Believe in Me” in 1998.

In 2001, Regina Belle’s cover of “Just the Two of Us” from the tribute album “To Grover, With Love” made a surprising return to the Billboard charts, and within months Belle would sign with the jazz oriented independent label Peak-Concord Jazz. That same year she released the album “This Is Regina!, “which featured the R&B hit single, “Ooh Boy.” Belle also known for her hits “Make It Like It Was” and Baby Come To Me” is a must sing for her fans.

In 2004, she released a jazz standard album, “Lazy Afternoon,” which was produced by George Duke. The album included covers of the Isley Brothers’ “For the Love of You” and Tony Bennett’s “If I Ruled the World.” In 2007, she collaborated with smooth jazz saxophonist Paul Taylor, co-writing and singing on his album, “Ladies Choice.” Belle released her debut gospel album, “Love Forever Shines,” in 2008 via Walker Davis Records The 14-track collection featured guests Melvin Williams (of the Williams Brothers) and Shirley Murdock.

In 2009 Belle suffered a Brain Tumor and under went 2 surgeries that left her deaf in one ear.Belle Faith was tested and she stood on God’s word that she would be healed.

Belle in June 2012 released her Testimony album ,” HIGHER”, Regina Belle has a simple but powerful message. “I pray that each listener has an experience. My whole objective in doing this record is to bring people into the presence of God. Some of us don’t always get there through the preached word. The music is only second to that, but I want to be able to know that I did my job and if you don’t have words to say, then use my words. If you don’t have a voice, then use my voice. If you don’t have the music or the setting, use mine. I believe that my music helps people get to a special place.” That place is a closer walk with God, one that is sweeter, deeper, richer and HIGHER!

Read more

The Stylistics feat Russell Thompkins Jr

TOP SONGS

“Betcha By Golly Wow”

“You Make Me Feel Brand New”

“Stop, Look, Listen”

Biography:

For over 30 years, Russell Thompkins, Jr. was the original lead singer of the Stylistics. His impeccable falsetto voice led the group to international fame and recognition, recording such hits as “You’re A Big Girl Now”, “Stop, Look, Listen”, “You Are Everything”, “Rockin’ Roll Baby”, “Betcha By Golly Wow”, “Break Up To Make Up”, “Stone In Love With You”, “People Make The World Go Round”, “Children Of The Night”, “You Make Me Feel Brand New”, “You’ll Never Get To Heaven”, “Let’s Put It All Together”, “I Can’t Give You Anything”, “ First Impressions”, “Love At First Sight”, “Hurry Up This Way Again”, “Love Talk”, and many, many more. Russell had the opportunity to work with such greats as Thom Bell, Linda Creed, Burt Bachrach, Carol Bayer Sager, Van McCoy, Teddy Randazzo, Kenny Gamble, and Leon Huff.

Russell’s distinctive falsetto was the driving force and backbone of the original Stylistics and it earned them (7) gold albums, (5) gold singles, (2) double gold singles, (8) platinum albums, (1) double platinum album, and (4) platinum singles, along with a Grammy nomination in 1974 for “You Make Me Feel Brand New”, and a plaque on the Walk of Fame in 1994, in Center City Philadelphia, including various awards and trophies from around the world. In May 2004 they were inducted into the Vocal Group Hall of Fame.

Russell’s departure from the group, in April 2000, has culminated in two separate, but equally important events. The first event was the release of his first solo CD, “A Matter Of Style”, in September 2002, with the collaboration of Christopher Biehler, President of ForEverMore Music and Records, based in Rochester, NY. The second event was the formation of “The New Stylistics”, who are dedicated to preserving the sound of the original recordings. As Russell Thompkins, Jr. & The New Stylistics they are committed to delivering high quality vocal performances on stage and in the studio in a professional and masterful style. Russell brings to the table an unparalleled level of talent, dedication, and professionalism. His major goal and mission is to provide his fans, friends, and supporters, who have remained loyal for over 30 years, with the same quality of music and showmanship that they have come to know and love.

Read more

Honey Cone

TOP SONGS

“Want Ads (Young Man Single & Free)”

“Stick Up”

“One Monkey Don’t Stop No Show”

Biography:

Three accomplished and vivacious women unite to form The Honey Cone featuring Shelly Clark. This talented triple threat comprised of Shelly, Kathy Merrick and Wendy Smith-Brune performs original songs from their catalogue of chart-toppers and fan favorites along with hits from virtually every music genre.

An original member and cofounder of The Honey Cone, Shelly has an extensive and diverse career in the entertainment industry. Beginning as a beguiling child star, she exploded onto the New York scene as a gifted dancer, singer and actress. At the age of seven, she headlined at the renowned Apollo Theatre and the Palace Theatre before making her Broadway debut with Pearl Bailey and Diahann Carroll in the celebrated hit musical “The House of Flowers.” She went on to dazzle audiences while touring nationwide with legend Cab Calloway in his renowned Cotton Club Revue. Shelly recorded and toured with various artists, including Dusty Springfield, Tom Jones, Little Richard, DJ Rogers and Richard Harris. She also toured nationally with The Ike & Tina Turner Revue as one of the storied Ikettes. With The Honey Cone, Shelly was part of creating an enduring legacy of Billboard No. 1 and Top 10 hits that garnered numerous gold records and esteemed industry awards. She has been married to Verdine White, the iconic bass player and co-founder of the Rock & Roll Hall of Fame inductees Earth, Wind & Fire, for 38 years and counting.

Born in Washington, DC, Kathy started her career at the tender age of eight in dance and musical theater. She attended prestigious Howard University and performed in local night clubs and concert halls in the area, which included gigs with her talented brothers, The Merricks. She was one of the founding members of the exciting female trio Shades of Lace, which inked a record deal with Polygram. Kathy backed the Godfather of Soul, James Brown, on BET’s Video Soul, Soul Train, CNN Show Biz Today and Solid Gold as well as on stage at the famed Apollo Theatre. In addition to touring globally as a member of the captivating A.S.A.P., her vast touring and recording credits boast stints with Boz Skaggs, James Ingram and Tom Jones. For the last ten years, Kathy has toured extensively with the Sounds of the Supremes and other Motown acts, including the Temptations. Possessing a powerful three-octave range, the prolific songwriter and producer frequently collaborates with multidimensional musician and drummer John Paris.

Educated at Norfolk State University in Virginia, Wendy studied classical flute and performed with the local symphony. She moved to Los Angeles where her vocal talents immediately caught the attention of soul genius Ray Charles. In addition to touring worldwide with Charles as one of his Raelettes, she also worked with other illustrious artists such as Chaka Khan, Barry White, Michael Bolton and Sheena Easton. Wendy has been a featured soloist with many great bands, including The Count Basie Orchestra and soul quartet The Friends of Distinction. For many years, she has been the featured female soloist with The Glenn Miller Orchestra with whom she has performed globally. On the awards show circuit, Wendy has sung on the Emmy Awards, Academy Awards, Golden Globes and American Music Awards. Her wide-ranging musical talents span pop, R&B, jazz, soul and Latin music.

Read more

Evelyn “Champagne” King

TOP SONGS

“Shame”

“Love Come Down”

“I Don’t Know If I Should”

Biography:

When the immediate dancefloor classic “Shame” (1977) was in its ascent, on its way to the Top Ten of the Billboard Hot 100, it would have been sensible to assume that the previously unknown Evelyn “Champagne” King was among the era’s seasoned background vocalists strutting into the spotlight. Despite its powerful and knowing vocal, the song was the debut of a teenager, one who proved to be just as adept at funk, pop-R&B, and quiet storm soul with the parent album Smooth Talk, the first of the singer’s three gold-certified LPs. While King appeared at the height of the disco era with one of the style’s exemplary hits, the versatility the singer displayed on her first album proved her ability to adapt to the rapidly evolving sound of contemporary R&B. Having achieved and sustained success with songwriter/producer T. Life, King then thrived beside Morrie Brown and Kashif in the post-disco era with “I’m in Love” (1981) and “Love Come Down” (1982), sparkling midtempo jams that topped the R&B and dance charts, went Top 40, and have had as much lasting value as “Shame.” Since racking up nine charting albums by the end of the ’80s, King has recorded less often but has continued to perform. “The Dance” (2008) put her in a small class of artists with entries on the Billboard dance chart spanning three decades.

Although it occurred at the headquarters of an esteemed record label through a familial connection, the discovery of Evelyn King’s singing talent was happenstance. King’s mother and sister had jobs cleaning the offices of Philadelphia International Records. One night, King’s sister couldn’t make it, so King filled in. No one else was supposed to be in the building, but T. Life — a songwriter, producer, arranger, and musician deeply involved with PIR and the Philly scene at large — was in the hallway and overheard King singing Sam Cooke’s “A Change Is Gonna Come” as she worked. King had sung in church and with her siblings and performed with bands that covered Labelle and Rufus & Chaka Khan (two of her biggest inspirations), but she wasn’t intending to land a record deal. After all, she was only 14 years old. Knocked out, T. Life approached PIR heads Kenny Gamble and Leon Huff about signing King. They passed. Undaunted, King and Life recorded a demo that interested RCA after it sat in the label office for over a year. With the support of King’s parents — father Erik had performed with assorted doo wop acts, and mother Johnniea had managed a group — the teenager signed a contract through Life’s production deal with RCA.

Aided by T. Life and many of his Philly associates, such as Bunny Sigler, Dexter Wansel, and members of Instant Funk, King cut Smooth Talk. Propelling the album was the John Fitch and Reuben Cross composition “Shame,” which entered Billboard’s dance chart in October 1977 (at which point King was 17 years old). A sleeper hit, it didn’t reach the R&B and pop charts until six months later, but went Top Ten on both charts, just as it did on the dance survey. “I Don’t Know If It’s Right,” a funkier follow-up written by Life and Fitch, also went Top Ten R&B and reached number 23 on the Hot 100. Both singles were certified gold, as was Smooth Talk. King and Life in 1979 scored another gold LP together with Music Box, featuring a pair of smaller hits with the title song and “Out There.” Sweet Delight arrived the next year but was quickly withdrawn after a cool reception to its incorporation of rock. Call On Me, quickly assembled as a replacement, was equally split between Sweet Delight material and new songs, including the storming “Let’s Get Funky Tonight,” which returned co-writer King to the upper reaches of the dance chart.

Most of the material on King’s 1981 and 1982 studio albums, I’m in Love (number 28 pop, number six R&B) and Get Loose (number 27 pop, number one R&B), were made with Morrie Brown, Kashif, and Paul Laurence, a trio of songwriters and producers that in varying combinations achieved success around the same time with Melba Moore, Howard Johnson, and High Fashion. King was therefore a major factor in pop-oriented R&B’s transition into the use of drum machines and synthesizers — a sound for which her effervescent voice was perfectly suited. (RCA ironically opted to remove King’s nickname from these releases.) I’m in Love and Get Loose brought six charting singles highlighted by “I’m in Love” and “Love Come Down.” Both songs topped the R&B and dance charts. The former reached number 40 on the Hot 100, and the latter climbed to number 17. King released three additional RCA albums on an annual basis through 1985. Face to Face, So Romantic, and A Long Time Coming saw her work with the likes of Solar Records studio mastermind Leon Sylvers III and Foster Sylvers, André Cymone, the System, and Jimmy Douglass, as well as Rufus’ Bobby Watson and Hawk Wolinski, and T. Life again. “Action,” “Shake Down,” and “Just for the Night” all cracked the R&B Top 20. “Your Personal Touch,” carried out by the team of Allen George and Fred McFarlane, peaked inside the Top Ten of the R&B and dance charts. King finished out the ’80s on EMI with Flirt, released in 1988, and The Girl Next Door, issued in 1989. Leon Sylvers III helped her adapt to new jack swing and house, two developments that can be traced through the collaborators’ individual works through the early ’80s. The biggest hit from those two albums was “Hold On to What You’ve Got,” King’s last single to go Top Ten R&B and dance.

King released one new studio album in each of the next two decades. In 1995, with support from the Expansion label in the U.K., she issued I’ll Keep a Light On, featuring contributions from Larry Graham, Billy Preston, Jeff Lorber, and King’s husband, guitarist/producer Freddie Fox. Shortly after that, King herself was featured on Divas of Color’s number ten dance hit “One More Time.” Open Book, King’s next LP, was issued independently in 2007. Its biggest hit was the “The Dance,” which almost placed higher than “One More Time.” In addition to featured roles and headlining singles such as 2015’s “Dance All Night,” King has continued to perform into the 2020s.

Artist Biography by Andy Kellman of AllMusic.com

Read more